[quote="TwoPort":1w5twpyk]It looks heavy.... I've played some at NAMM and they are heavy although I know builders can create chambers, etc.
Fullie - in your experience what do you perceive as the main advantage of this design?[/quote:1w5twpyk]
Even though I've never been to a NAMM show, I've tried almost a dozen of singlecuts (I've owned 5 so far).
What I'm saying is NOT science, just my opinion and experience. SO, IMHO and IME I prefer the set neck or the neck-throughs. The set necks I've tried they sounded "snappier" compared with the neck throughs. I feel that the increased contact surface allows for more "rapid" and "overall" dispersal of the pulse. Their attack is not as "quick" as the bolt-ons (normal or singlecut).
My favorite singlecut , so far, is Ken's (Ken Lawrence) own Brase I 5str (now mine

). Heavy Northern Ash, maple neck, grenadillo f/b 35". EXPLOSSIVE sound. The second Brase I 5str I've owned, was swamp ash and the tone was more subdued (both acoustically and amplified). The R-Bass singlecut put many other boutique basses in shame (not only mine, but many others that were around from a 100+ bass collection!!!). The other SCs I've owned were great but not at that level of perfection I am talking here
If Sheldon were to built one, I think I'd go for either a Z snappy tone or Prima full tone (it means two

), but I'm sure it'll be in line with the Dingwall heritage of sound!!!