Super P

f you’re a serious bass player, but have yet to acquire one of these classic models, the Dingwall Super P really is a no-brainer. The look and feel lean towards the traditional, however the tone and quality are everything you’d expect from a Dingwall. Available in: 4 or 5-strings, with two or three pickups, active or passive electronics, and a range of available finishes.

Available in:

-4 and 5 strings

Body & Neck

The most obvious feature is, of course, the unique multi-scale design that Dingwall are renowned for, but the fun doesn’t stop there. Our finish uses a special polyester that’s been formulated for electric guitars. As a result, the bodies look as thought they’ve been dipped in glass, but the finish is extremely thin, which allows it to be acoustically transparent. We also build the bodies slightly thinner than standard to reduce weight and provide a bit more resonance. Swamp ash is also an option for those who would like a little less mid-presence in their tone.

Another distinctive feature is the headstock scallop, which serves two functions. It reduces headstock mass slightly, and it defines a three-dimensional Hot Rod style flame on the bottom edge. Many players complain about the head-heavy balance of a traditional bass guitar. We decided to do as much as possible to reduce the weight of the headstock, while subversively keeping it as traditional looking as possible. The silhouette may put you in mind of a Fender, but there’s a truly distinctive vibe here that you’d notice even if you were blindfolded.

Hardware

Of course, there’s more to a great bass than its wood, and the Super J is no less innovative in its hardware. The Hipshot Ultralite tuners are already very light weight, but we made them even lighter by shortening the string post. By countersinking them into the headstock and designing a shape that causes the string to sit as low as possible, we also eliminated the use of string trees. This further reduces weight and improves tuning stability.

“In total we managed to shave off roughly 100 grams,” says Sheldon Dingwall. “It doesn’t sound like much, but it makes a huge difference in the way the bass balances.

The double expanding truss-rod style is one of the industry standards. However, our installation method – taught to us by Glenn McDougall of Fury Guitars, involves gluing the truss rod into the neck under almost 1000-LB of pressure. This creates a coupling of steel to wood, increasing both sustain and harmonic content.

Pickups & Electronics

The pickups are our own custom neodymium design, which sound predictably full and punchy. The standard passive system includes volume and tone controls, which are made in-house. The control knobs are exclusive to Dingwall Guitars and feature a soft-touch formula for extra comfort and grip. Basses with an additional bridge pickup also benefit from the added versatility of our Quad-tone pickup selector, which allows further tonal exploration.

Strings

Dingwall strings have been meticulously tested to maximize performance and deliver a tone that blends effortlessly with any style of music. We were the first company to design strings specifically for multi-scale instruments. Available in both nickel and stainless steel, our strings provide an even tension for optimal balance, letting you experience the warmest highs and the tightest lows possible.

Note: basses are shipped with Dingwall Nickel Strings

BODY

The standard body wood for the Super P is Alder. 2-piece contruction is standard for transparent finishes and 2 or 3 piece is standard for solid finishes
Body Core
Alder provides a traditional warm tone. We build the body slightly thinner than standard to reduce weight and provide a bit more resonance. Optional upgrade – Swamp Ash Swamp Ash is a great option for those who would like a little less mid presence in their tone. It has a very distinctive grain pattern.
Standard Top
N/A
Tone Chambers
N/A
Top Options
Yes
Exotic wood contrasting layer option
Yes
Matching Wood Cover Plates
N/A
Finish
We use a special polyester that’s been formulated for electric guitars. It not only looks great, but it sounds great too. The bodies almost look like they’ve been dipped in glass, yet the finish is extremely thin allowing it to be acoustically transparent
Colors
We have a huge range of available colors. Please refer to our photo galleries and price list for available colors and styles.
Pickguard Options
Matte Black is the standard pickguard. The following pickguard options are available: White/Black/ White, Black/White/ Black, Tortoiseshell, White Pearloid, Black Pearl

Neck

1 piece Maple standard, optional 5-piece laminated maple or Wenge
Neck Carve
Medium thin C shape
Neck Reinforcement
double expanding truss-rod
Headstock
Flat, scalloped.
Headstock options
Matching finish (solid finishes only)
Standard Fingerboard
Wenge
Fingerboard Options
Maple, Pau Ferro, Macassar Ebony.
Fretless Option
Macassar Ebony with edge lines.
Fretwire
Vintage small size 18% hard nickel silver fretwire
Position Markers and Inlays
White or Black Pearloid side and face dots. Optional Pearloid or Black blocks. Speedo Bars.

ELECTRONICS

Pickups
Handmade Super P
Pickup Options
Neck position: Dual P Bridge position (optional): P-Tone (standard), FDV, FD3, Super Fatty II
Exotic wood shells, matching wood shells
N/A
Standard Electronics
Passive, Master Volume, Passive Tone-Fusion.
Pre-amp Option
N/A
Pickup Switching
4 position Quad-tone pickup selector included with bridge pickup option.
Knobs
Dingwall Knobs
Jack
We chose to use a traditional jack on the Super P to fit with the more traditional vibe of the design. We use only the Switchcraft brand, which has been the industry standard since the 1950s.

HARDWARE

Hardware color
Black,Chrome optional.
Tuners
Hipshot Ultra-lite ( Chrome optional )
Bridge
Dingwall Super Bridge
Strap Pins
Dunlop locking

SCALE LENGTHS

On our Canadian made basses we do the more complicated compound radius. We like it for a few reasons: - We can have a very vintage feeling 7-1/2” radius at the nut for comfortable play in the lower frets. - We can also have a much flatter radius at the bridge to make play easier for the plucking hand. - The flatter radius at the bridge keeps the strings a more consistent distance from the pickups for more even response.
Fingerboard radius – compound
7-1/2” (at the nut) to 25” (at the bridge)
Scale Lenghts
B 35″
E 34.25″
A 33.5
D 32.75″
G 32″

DIMENSIONS

Bridge Spacing 4
19 mm – .748″
Bridge spacing 5
19 mm – .748″
Nut width 4
42 mm – 1.65″
Nut width 5
45.5 mm – 1.8″
Heel width 4
60 mm – 2.36″
Heel width 5
77mm – 3″
Neck thickness @ 1st fret
21 mm – .787″
Neck thickness @ 12th fret
24 mm – .906″

hardware

Hardware color
Black
Tuners
Hipshot Ultra-lite ( Chrome optional )
Bridge
Dingwall Super Bridge
Strap Pins
Dunlop locking