Afterburner I

With the ABI, we set out to create the ultimate passive bass.

 It’s lightweight and perfectly balanced. The perfect tone on stage or in the studio is as simple as plugging in and playing.

Available in:

-4,5 and 6 strings


Alder provides a traditional warm tone. We build the body slightly thinner than standard to reduce weight and provide a bit more resonance.

2-piece construction is standard for transparent finishes and 2 or 3-piece is standard for solid finishes.

Optional upgrade – Swamp Ash (with a gloss finish)

The average weight of an Afterburner I is a low 8.5 lbs


The design goal was to utilize a flat headstock design. Materials and labour savings are significant with this design. The only problem was that a flat headstock needed a string tree to create a proper downward angle at the nut.
It took creative thinking and custom-made tuners to solve this problem in the most elegant way possible.

The headstock features unique counter bores that, combined with our custom tuners, allow proper break angle at the nut.

A side benefit is that these specially made Hipshot Ultra-lites are even lighter than the originals. Combined with the minimalist Afterburner headstock shape, the improved balance is significant.


In my years in the guitar repair business, I constantly had to deal with humidity-related problems made worse by our local climate’s colossal temperature and humidity swings. Simple design changes and material choices could have minimized many of these problems.
Touring musicians are constantly amazed at how stable Dingwall instruments are.

We’ve experimented with many different laminations and have found a 5-piece maple construction to be among the most reliable. Years of experience have proven this design to be extremely stable and reliable.
We offer a 5-piece laminated wenge and roasted Ash neck options.


Wenge is an interesting fretboard wood due to the alternating layers of hard and soft grain (early and late wood). The hard grain gives the tone a nice top end similar to ebony, and the soft grain adds the warmth of Rosewood.

It’s a great all-around fingerboard wood.


The standard passive system includes volume, tone and the versatility of our Quad-tone switching system.  

To further expand tone shaping options, we offer series/parallel toggle switches for each pickup. 

If you want even more tone shaping at your fingertips, we have two options of 3 band pre-amps.

Darkglass Tone Capsule

The Tone Capsule is a new, unusual take on onboard preamplifiers. It’s designed to respect your instrument’s natural character while expanding exponentially the tonal possibilities. The Tone Capsule is unique in the way that it doesn’t have a Treble control. The idea was Sheldon Dingwall’s: he thought that making a Bass-Mid-Treble was too normal for his liking because everyone does it that way, so he suggested including a second mid control instead. We loved the idea! Specially because the second control could be configured to operate at the higher end of the spectrum, offering all the benefits a standard Treble control (increased clarity and definition when boosting) but with a more natural, less-harsh and noiseless operation. 

Glockenklang 3-band:

What we like about the Glockenklang pre-amps is the smooth and subtle tone shaping and the Active/Passive treble control. Our focus of perfecting the natural tone of our basses so that they don’t need a lot of tone adjustment is why we feel the Glockenklang fits so well with this philosophy. The Active treble boosts and cuts as expected in active mode, but when the pre-amp is switched to passive mode, the control acts as a passive cut control.


FDV pickups are the standard pickup in our ABZ model. They are a continuation of the FD (Fury/Dingwall) line of pickups but feature Alnico V magnets instead of Neodymium.

Their tone and response is the most traditional sounding and feeling of all our pickups yet they maintain the tightness and clarity that Dingwall basses are known for. They feature 4-lead wiring, which enables the internal coils to be wired in either series for strong low mids and high output or parallel for less mids and normal output.


Designed to be “set & forget” simple and featuring a slotted string anchor system for fast and straightforward string changes.

The Afterburner bridge borrows the simple yet great-sounding stainless steel riser screw system used in our high-end bridges. We reduced the complexity of the saddles to a minimum and then designed a unique base plate system to hold them rigidly in place.

Using stainless steel riser screws and a tough Teflon coating on the bridge ensures long-term corrosion-free performance.

Dingwall Strings

Dingwall strings have been meticulously tested to maximize performance and deliver a tone that blends effortlessly with any style of music. We were the first company to design strings specifically for multi-scale instruments. Available in both nickel and stainless steel, our strings provide an even tension for optimal balance, letting you experience the warmest highs and the tightest lows possible.


Note: basses are shipped with Dingwall Nickel Strings


Alder | 2-piece construction is standard for transparent finishes, and 2 or 3-piece is standard for solid finishes.
Body Core
Alder provides a traditional warm tone. We build the body slightly thinner to reduce weight and give more resonance. Optional upgrade – Swamp Ash (with a gloss finish)
Standard Top
Tone Chambers
Top Options
Exotic wood contrasting layer option
Matching Wood Cover Plates
We use a special polyester that’s been formulated for electric guitars. It not only looks great, but it sounds great too. The bodies almost look like they’ve been dipped in glass, yet the finish is extremely thin, allowing it to be acoustically transparent.
We have a vast range of available colors. Please refer to our photo galleries and price list for available colors and styles.


5-piece laminated maple - Wenge optional.
Neck Carve
Medium thin C shape
Neck Reinforcement
Dingwall heavy duty truss-rod
Flat,-counter bored.
Standard Fingerboard
Fingerboard Options
Maple, Birdseye Maple, Pau Ferro, Macassar Ebony, Ziricote
Position Markers and Inlays
White or Black Pearloid side and face dots. Optional Pearloid or Black blocks. Speedo Bars.
Fretless Option
Macassar Ebony with segmented-lines
Fret Options
Vintage small size 18% hard nickel silver fretwire


Handmade FDV
Pickup Options
The options include the P-tone, which gets you as close to the traditional P sound as possible. The FD3, for a slightly more modern tone and greater sensitivity to dynamics or the Super-Fatty II, for a huge, fat bottom-end with a bit of sparkle on top. The ABZ comes standard with two pickups in traditional spacing. The 3x option adds a middle pickup for even more tone options.
Standard Electronics
Passive FDV pickups, master volume, 4 position Quad-tone pickup selector, master tone.
Pre-amp Option
Darkglass Tone Capsule | Glockenklang 3-band
Pickup Switching
4 position Quad-tone pickup selector. Optional individual series/parallel toggle switches for each pickup.
Dingwall design knobs feature a soft touch formula for extra comfort and grip and a sleek design that perfectly fits with our basses.
We use the Neutrik locking style, one of the market's best and most reliable output jacks. We take great pride in the way we've integrated this jack subtly into our body design. It's accessible yet unobtrusive.

Scale Lengths

On our Canadian made basses we do the more complicated compound radius. We like it for a few reasons: - We can have a very vintage feeling 7-1/2” radius at the nut for comfortable play in the lower frets. - We can also have a much flatter radius at the bridge to make play easier for the plucking hand. - The flatter radius at the bridge keeps the strings a more consistent distance from the pickups for more even response.
Fingerboard Radius-compund
7-1/2” (at the nut) to 25” (at the bridge)
Scale Lengths
B 37”
E 36.25″
A 35.5″
D 34.75″
G 34″
C 33.25″


Bridge Spacing 4
19 mm – .748″
Bridge Spacing 5
18 mm – .709″
Bridge spacing 6
18 mm – .709″
Nut width 4
42 mm – 1.65″
Nut width 5
45.5 mm – 1.8″
Nut width 6
55 mm – 2.2
Heel width 4
63 mm – 2.5″
Heel width 5
75 mm – 2.95″
Heel width 6
89 mm – 3.5″
Neck thickness @ 1st fret
21 mm – .827″
Neck thickness @ 12th fret
24 mm – .945″


Hardware color
We collaborated with Hipshot to modify their Ultra-lite tuners. They now feature a shorter notched tuning peg. Allowing proper downward angle at the nut for maximum sustain on a flat-style headstock without using string trees and improves tuning stability.
Dingwall Afterburner bridge
Strap Pins
Dunlop locking with “Reach Reducing” pin on back