We take neck construction very seriously due to our extensive experience in guitar repairs coupled with our geographic location and corresponding extreme climate. In my years in the guitar repair business I constantly had to deal with humidity related problems made worse by the huge temperature and humidity swings of our local climate. Many of these problems could have been minimized through simple design changes and materials choices.

Touring musicians are constantly amazed at how stable Dingwall instruments are. Many state that their Dingwall necks are as stable as their graphite necked instruments.

We’ve experimented with many different laminations and have found a 5-piece maple construction to be among the most reliable. Years of experience have proven this design to be extremely stable and reliable.

We offer a 5 piece laminated wenge neck as an option. Wenge is also very stable. A wenge neck will be roughly 50 grams heavier than maple with an open grain feel. The tone is similar to maple but with a slightly snappier response.

The double expanding truss-rod style is one of the industry standards.  Carbon fibre is standard on the Z.

 “While repairing guitars, I found that many guitars had either stripped or missing truss rod cover plate screws.  I found it frustrating that it usually took longer to remove and replace the cover plate than it did to do the actual adjustment.” The truss rod is the most commonly adjusted component on most guitars, so access to the truss rod adjustment should be as easy as possible. All Dingwall basses feature easy to access truss-rod adjustments. 

Headstock design – Angled (compound).

If you build a fanned-fret neck with a traditional headstock angle there will be an odd looking triangle between the nut and the end of the fingerboard.  It will also be difficult to position the treble tuners close to the nut for a compact headstock and best balance. We figured out a better way.

If you look closely at the angle of our headstock, you will notice that it’s actually a combination of two angles.  This adds considerable complication to the construction process but enables a perfectly linear string path to the tuners, compact design and no telltale triangle behind the nut.

All Z-series headstocks feature a matching face veneer cut from the same veneer as the top for a perfect match.

Wenge is an interesting fretboard wood due to the alternating layers of hard and soft grain (early and late wood). The hard grain gives the tone a nice top end similar to ebony and the soft grain adds the warmth of Rosewood. It’s a great all around fingerboard wood.

Macassar Ebony with edge lines. We prefer the warmth of tone and beautiful look of Macassar Ebony for a fretless fingerboard. To guaranty buzz-free performance regardless of temperature and humidity changes, we install short fretlines on the edge of the fingerboard only. Thereby eliminating any chance of buzzing caused by the fretlines shrinking or expanding from the fingerboard surface.

Vintage small size 18% hard nickel silver fretwire. Lee Sklar turned us onto the benefits of small frets. The advantages are a more woody, less metallic tone, smoother glissandos and a faster feel. Our standard size is “banjo” size. This is the same size as you’d find on most guitars from the 50’s and 60’s. Although its size is smaller than standard bass fretwire, its service life is about the same.

FDV pickups are the standard pickup in our Z model. They are a continuation of the FD (Fury/Dingwall) line of pickups but feature Alnico V magnets instead of Neodymium. Their tone and response is the most traditional sounding and feeling of all our pickups yet they maintain the tightness and clarity that Dingwall basses are known for. They feature 4-lead wiring which enables the internal coils to be wired in either series for strong mids and high output or parallel for scooped mids and normal output. The pickup coils can be pre-wired in either series or parallel or can be run through a series/parallel toggle for on the fly tone shaping.

Z1 spacing
The Z1 pickup spacing is modeled after the J style bass. The tone combinations will be familiar to anyone used to a J style bass.

Z2 spacing
The Z2 spacing features two pickups grouped together in the sweet-spot.  The tone is more focused in the mid-range than the standard spacing. This tone will be familiar to anyone used to a MM SR tone.

Z3 spacing
The Z3 is a 3 pickup system that combines the Z1 and Z2 pickups. This system provides the ultimate in tone-shaping versatility. Almost any bass tone you can think of is available at your fingertips.