Great stuff!

Here is a video from a gig in summer 2010. We recorded only 2 songs and on this songs I played not my Dingwall , but it`s also a fanned fret Bass. [url:14y1yw0k]http://www.youtube.com/watch?v=vqSmZHQ2-hE[/url:14y1yw0k]

Nice groovy music and great playing and sound!

Here's some recent video with my band. I'm using my Super J through a TC Electronic Staccato '51. [url:1rbeakxb]http://www.youtube.com/watch?v=31fmR3bQ7N4[/url:1rbeakxb] [url:1rbeakxb]http://www.youtube.com/watch?v=S4vQEhyrEFk[/url:1rbeakxb]

Yes Man, sweet tracks! It's important for people to know how flexible these basses really are and how well suited they are for delivering warm, "classic" tones. Blues, Roots, any flavor of Classic Rock, no problem!! Great playing, keep 'em coming!!

Thanks everyone. It’s a pretty different bass sound than many Dingwall players go for. I try to combine modern clear defined lows with the expected ‘traditional’ high end roll off that reggae requires. Live, I use a little be more on top to be ‘hearable’ on stage. When I originally talked to Sheldon about building my bass, I was concerned with being able to roll off the treble, as at that time he had not yet developed the hybrid treble control (it was a good day when the word came through that he’d developed the circuit and it would be possible to have it on my bass). Early on we had talked about having both the OBP-1 Treble boost and a second passive roll off knob. The boosted clean clear low means that I can do more ‘modern dancehall’ sounds that are often done on a keyboard these days too.

Sounds great!

[quote="Sheldon Dingwall":245mqmn7]Wow, GREAT tone and really good tunes too.[/quote:245mqmn7] +1

[quote="Sheldon Dingwall":14hrj76u]Wow, GREAT tone and really good tunes too.[/quote:14hrj76u] Thanks Sheldon! Of course you made it possible. These are the first recordings with this bass, and I had to do much less than I normally have had to, to get it to sound good in the mix. The clarity of the Dingwall B can be heard on the track Ame Tame, where the intro/outro/mainline drops below E. It stays tight and really punchy even with plenty of low and most of the highs backed out.

Wow, GREAT tone and really good tunes too.

[quote="Funkshwey":1yw6hzsz][quote="BurningSkies":1yw6hzsz]Just finished uploading some new demo tracks...all recorded with my Dingwall Voodoo/Zebra Rastaburst. http://homepage.mac.com/burningskies/.M ... _Rebel.mp3 http://homepage.mac.com/burningskies/.Music/AmeTame.mp3 http://homepage.mac.com/burningskies/.M ... Belong.mp3[/quote:1yw6hzsz] Ya mahn[/quote:1yw6hzsz] Pretty much what you’d expect from the Rastaburst, right? For the record, its DI post EQ from my LMII (with the highs rolled off fairly substantially) and some boost in the low from the OBP-1. From there its MOTU 8-Pre -> Cubase4. The bass is run in series/series/series (usually live I run the pickups series and the bass in parallel). During mixdown there’s a high pass on the bass so as not to overwhelm the mix and not to blow out everyone’s home speakers. No other EQ or compression to the bass, besides what I used universally for the entire mix.

[quote="BurningSkies":1zx2djks]Just finished uploading some new demo tracks...all recorded with my Dingwall Voodoo/Zebra Rastaburst. http://homepage.mac.com/burningskies/.M ... _Rebel.mp3 http://homepage.mac.com/burningskies/.Music/AmeTame.mp3 http://homepage.mac.com/burningskies/.M ... Belong.mp3[/quote:1zx2djks] Ya mahn

Just finished uploading some new demo tracks...all recorded with my Dingwall Voodoo/Zebra Rastaburst. http://homepage.mac.com/burningskies/.M ... _Rebel.mp3 http://homepage.mac.com/burningskies/.Music/AmeTame.mp3 http://homepage.mac.com/burningskies/.M ... Belong.mp3

Some strait ahead blues, [u:bms4rmxx]a Dingwall is very well suited for most any type of music...[/u:bms4rmxx] I don't really specialize in playing blues but lately I've gained an appreciation and enjoyment from it, and it's become a nice way to round out my calendar. ....Yes, the "camcorder" must have been right in front of the the guitar amp(s) but the drummer and I were definitely making our presence felt live, although it may be hard to hear given the crappy audio: http://www.youtube.com/watch?v=GnvYu-_Ts_8 (if you don't like blues guitar then overt your eyes/ears)

hey thanks! the b is actually a C in this song. (tuned up a halfstep) I just love this bassline. It´s so cool to play this style in a Heavy Metal band

[quote="prengel_basser":2185r035]this is me playing my dingwall VOODOO: http://www.bassic.ch/upload/mp3a/9853.mp3 played straight into my imac WITHOUT ANY eq etc... bridge pickup treble rolled all the way off.... at first you hear the bass alone, and afterwards in a rough mix best wishes from germany! stefan[/quote:2185r035] Great playing. The low B is really piano-like This would be a great preview of how the 37" B bass sounds like.

this is me playing my dingwall VOODOO: http://www.bassic.ch/upload/mp3a/9853.mp3 played straight into my imac WITHOUT ANY eq etc... bridge pickup treble rolled all the way off.... at first you hear the bass alone, and afterwards in a rough mix best wishes from germany! stefan

[quote="Funkshwey":1vfh2n5s][quote="lowphatbass":1vfh2n5s]Here's a track from a recent project, the producer asked for "an old school vibe, but with some clarity". The FD-3's work really well for this type of thing: http://www.reverbnation.com/play_now/song_3506680[/quote:1vfh2n5s] Sounds great Lowphat.[/quote:1vfh2n5s] Thanks Funk, I had a lot of fun on this project, it's nice to do different stuff every once in a while.

[quote="lowphatbass":2rdy5ewy]Here's a track from a recent project, the producer asked for "an old school vibe, but with some clarity". The FD-3's work really well for this type of thing: http://www.reverbnation.com/play_now/song_3506680[/quote:2rdy5ewy] Sounds great Lowphat.

Here's a track from a recent project, the producer asked for "an old school vibe, but with some clarity". The FD-3's work really well for this type of thing: http://www.reverbnation.com/play_now/song_3506680