[quote="BurningSkies":1rrgz6e2]Nice! I didn't even realize that Flite was still producing cabs...[/quote:1rrgz6e2] I think Flite is still basically a one-man operation. They have redesigned their lines, and have added options like stained wood cabs. This speaker configuration is basically a prototype that I'm testing for Gerry at Flite. These are the first 2 cabs of the new 210 model. So far so good. Mark

Another fEarful up and running. I just finished a 12/6 cube. It sits exactly on my 15/6/1, where it looks and sounds bitchin! I tried the two together Friday night at practice. It was more than I needed, and I've been trying to tame some band volume problems, so I unplugged the 15/6/1 and just ran the 12/6. When everyone remarked on how clear, powerful and deep the "big rig" was sounding I just smiled and waved. The 12/6 did just fine all on it's own. I can carry it up the stairs to the studio with one hand. 37 lb. Total cost for materials was well under $300. Sneaking some shop time in was the tricky part. Here it sits on a mutant sub, a TL-606 cab with enlarged ports loaded with a 3015LF and Greenboy's "cheap but good" heavy duty lowpass. I'll be building the fEarful spec sub soon, and everything will stack perfectly. The 15/6/1 and sub work great together, the 12/6 and sub is a little scooped sounding. This is the difference between the $30 Alpha 6A mid and the much more expensive 18 Sound 6ND410, with a horn. I expect the 12/6 to carry most small room gigs, anything with good FOH support, and all my practice trips. The AB-1 six string, now sporting Payson's great sounding nickel strings.

[img:rj2u3rd3]http://farm6.static.flickr.com/5262/5750236464_592ec365a5_b.jpg[/img:rj2u3rd3] Normally I don't use all four 1x12" cabs together - two are sufficient for almost everything I do. I use them in pairs in 2 different rehearsal rooms. But since I had them all at home during the weekend, I hooked them up and took a picture.

[quote="singlemalt":1tx6n7e6]Another fEarful up and running. I just finished a 12/6 cube. It sits exactly on my 15/6/1, where it looks and sounds bitchin! I tried the two together Friday night at practice. It was more than I needed, and I've been trying to tame some band volume problems, so I unplugged the 15/6/1 and just ran the 12/6. When everyone remarked on how clear, powerful and deep the "big rig" was sounding I just smiled and waved. The 12/6 did just fine all on it's own. I can carry it up the stairs to the studio with one hand. 37 lb. Total cost for materials was well under $300. Sneaking some shop time in was the tricky part. Here it sits on a mutant sub, a TL-606 cab with enlarged ports loaded with a 3015LF and Greenboy's "cheap but good" heavy duty lowpass. I'll be building the fEarful spec sub soon, and everything will stack perfectly. The 15/6/1 and sub work great together, the 12/6 and sub is a little scooped sounding. This is the difference between the $30 Alpha 6A mid and the much more expensive 18 Sound 6ND410, with a horn. I expect the 12/6 to carry most small room gigs, anything with good FOH support, and all my practice trips. The AB-1 six string, now sporting Payson's great sounding nickel strings.[/quote:1tx6n7e6] Nice. It's gonna look even better once you add that 15/sub to the bottom of those two.

[attachment=0:jgmmj7vb]bubbles 010 (2).JPG[/attachment:jgmmj7vb][attachment=1:jgmmj7vb]bubbles 007 (2).JPG[/attachment:jgmmj7vb]Just changed my rig, here are first pics of it, cant wait to play it out live at weekend, I have been using Ampeg for 20 yrs so this is a big change for me, you get to a certain age and think I'm to old to be carrying around all this heavy gear time to go light weight