Hey,
I've been studying. A lot. The quarter system is equivalent to being repeatedly faceslapped by knowledge. Some things stick, but most just hurt.
My accent is getting better, I'm trying to make a name for myself by trying to excell in every course; having good references at the end of my studies will be invaluable, and I want to have a huge pool of potential recommeders. I got a summer internship already because of that attitude, so that's awesome. I'm pretty busy/tired all the time though

On the bass side, I've put Payson's stainless steel strings on the C2. I had flats on for a few months before, and those flats blew my mind. For whatever reason, I love these stainless steels, they somehow work better then the stock Dingwall strings which somehow did not work that well on the C2, though they're great on the AB-II. Maybe it's the increased tension that I like on a fretted bass, dunno, but the C2 just sounds a lot better since I moved on to Payson's. I wish I knew more about all this so that I could explain by experience better.
I've been also trying to learn that Geddy's flamenco technique and incorporate it in my playing. Man, switch to the neck pickup, a lot of treble fed into overdrive, and that technique together just have so much energy and drive... I play like that, listen to the sound I'm getting, and I cannot sit still. The good thing is that you could theoretically play normal fingerstyle and switch to that technique only for a fill, or the chorus, or just to accent a few notes. I've been trying that out as well, playing non-Rush songe I know from before but finding that perfect spot where to incorporate that technique. It sounds a lot busier then normal playing, so like you would be cautious on using strong spices while cooking, you need to be careful and have taste on where to use this and where not. That taste I don't have, but every now and then I'll stumble upon a place where a fill/scetion played like that just works with the song.
The technique I'm talking about can be seen [url=http://www.youtube.com/watch?v=FzXH3ZW3Wik:2mn4gpxi]in this song[/url:2mn4gpxi] where Geddy uses it exclusively. It sounds chaotic, active and energetic. Notice how offensively stupid the bassline actually is, but how much it fits the song when played with that technique. Notice the "fill" at 4:29, it couldn't be even called a fill, but with that bouncy sound it does more than enough to take the listener's attention between the verses. Perfect. Geddy is god.
..so that's what I've been doing, glad to see someone cares